Last edited by Akinosida
Tuesday, January 28, 2020 | History

8 edition of Music as cultural practice, 1800-1900 found in the catalog.

Music as cultural practice, 1800-1900

Lawrence Kramer

Music as cultural practice, 1800-1900

  • 14 Want to read
  • 28 Currently reading

Published by University of California Press in Berkeley .
Written in English

    Subjects:
  • Music -- 19th century -- Philosophy and aesthetics

  • Edition Notes

    StatementLawrence Kramer.
    SeriesCalifornia studies in 19th century music ;, 8
    Classifications
    LC ClassificationsML3880 .K7 1990
    The Physical Object
    Paginationxv, 226 p. :
    Number of Pages226
    ID Numbers
    Open LibraryOL2199628M
    ISBN 100520068572
    LC Control Number89020445

    Dahlhaus organizes his book around 'watershed' years - for example,the year of the July Revolution in France, and around which coalesce the 'demise of the age of art' proclaimed by Heine, the musical consequences of the deaths of Beethoven and Schubert, the simultaneous and dramatic appearance of Chopin and Liszt, Berlioz and Meyerbeer, and Schumann and Mendelssohn. Google Scholar Woge, Susan H. Romanticism in National Context. Man the Musician. Interpreting Music.

    This is a preview of subscription content, log in to check access. Songs of the Common Man. Google Scholar Garman, Bryan. Repercussions I: 5— Google Scholar Caruth, Cathy.

    Interpreting Music University of California Press, Google Scholar Kramer, Lawrence. London: Bloomsbury. Thus Beethoven's last piano sonata, Op.


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Music as cultural practice, 1800-1900 book

Helsinki: Therapeia Foundation. I read in German, French, and Italian when I feel ambitious or have to for professional reasons. How have romantic narratives involving Beethoven's "Moonlight" Sonata affected how we hear this famous piece, and what do they reveal about its music? Meyer also applied the term to Igor Stravinskythough Stravinsky avoided applying the term to himself in the same sense.

Google Scholar Kramer, Lawrence. The Scandinavian Psychoanalytic Review 38 2 : — Romantic Art. Oxford: Oxford University Press.

Faculty Profile

Paris: Dunod. Google Scholar Chion, Michel. Music as Cultural Practice, Google Scholar Zuckerkandl, Victor. Computer Music Journal 5 3Fall: 28— Oja and Judith Tick, — Focusing on the classical repertoire from Beethoven to Shostakovich and also discussing jazz, popular music, and film and television music, Musical Meaning uncovers the historical importance of asking about meaning in the lived experience of musical works, styles, and performances.

And with a five-star rating system, I don't know how I would rank books that are really useful to me but not compellingly written, or vice versa. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness.

The Romantic Rebellion. In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Google Scholar Minsky, Marvin. CrossRef Google Scholar ———.

Psychology of Music 3 2 : 9— Clark, K. Google Scholar Garman, Bryan. The Language of Psycho-Analysis. Music in the Romantic Era.Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues.

This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in.

Abstract “When and how does music ‘do’ things?” An answer is sought in the area of intersection between the autonomous and contingent worlds of music. The search for meaning takes place in-between these worlds of music, whereby it is emphasized that every act of music creation, performance, listening, understanding and interpretation determines itself, embodying a personal realization Author: Tijana Popović Mladjenović.

Nineteenth-Century Music, by Carl Dahlhaus, translated by J. Bradford Robinson 6. Analyzing Opera:Verdi and Wagner, edited by Carolyn Abbate and Roger Parker 7.

Music at the Turn of Century:A 19th-Century Music Reader, edited by Joseph Kerman 8. Music as Cultural Practice, –, by Lawrence Kramer 9. Wagner Nights:An American History, by Cited by: Students will be able to write an abstract of an individually selected resource (book, dissertation, series of articles) which addresses some aspect of Romanticism in Music in the time period of the Romantic era, which has been roughly delineated as to Music as Cultural Practice, University of California Press.

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Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage.

For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for.